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Both The Picture of Dorian Gray and The Little Stranger explore themes of obsession and madness, with characters who become consumed by their desires and fears.
"The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful."
"Every so often I'll sense a presence, or catch a movement at the corner of my eye, and my heart will give a jolt of fear and expectation: I'll imagine that the secret is about to be revealed to me at last; that I will see what Caroline saw, and recognise it, as she did."
Both novels use the motif of physical decay to symbolize the moral and social decline of their characters and settings.
"The life that was to make his soul would mar his body. He would become dreadful, hideous, and uncouth."
"Everything at Hundreds that used to shine is now dull, cracks have started to appear, rooms are shut up, and the serving staff is almost non-existent."
Both texts critique the sense of entitlement and the impact of social class on their characters' lives.
"I have never searched for happiness. Who wants happiness? I have searched for pleasure."
"Like the Ayers family, even though he knows Hundreds is falling apart, Faraday cannot bring himself to leave it; the appeal of what Hundreds used to represent is too strong."
Both novels explore the interplay between the supernatural and the unconscious mind.
"His beauty had been to him but a mask, his youth but a mockery. What was youth at best? A green, an unripe time, a time of shallow moods, and sickly thoughts."
"It was more than mere anger. It was as though the war itself had changed him, made an utter stranger of him."
Both texts depict the profound effects of isolation and loneliness on their characters.
"He had never known the true nature of friendship until he had lost it."
"Faraday's obsession with Hundreds never goes away. However, he does end the novel a changed man, as he genuinely thinks there is a chance that a supernatural entity haunts Hundreds."
Both novels address the lingering effects of war on individuals and society.
"He grew more and more enamoured of his own beauty, more and more interested in the corruption of his own soul."
"He seemed to hate himself, and everyone around him. Oh, when I think of all the boys like him, and all the frightful things we asked them to do in the name of making peace—!"
Both novels explore how the past continues to influence and haunt the present.
"The sins of the flesh are nothing. They are diseases. It is the sins of the soul that are shame."
"Faraday's mother is a lower-class woman who works hard to ensure Faraday can afford college. At one point, she worked as a servant at Hundreds Hall."
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