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I'm ten years away from the corner you laugh on
with your pals, Maggie McGeeney and Jean Duff.
The three of you bend from the waist, holding
each other, or your knees, and shriek at the pavement.
Your polka-dot dress blows round your legs. Marilyn.
← Imagery
I'm not here yet. The thought of me doesn't occur
in the ballroom with the thousand eyes, the fizzy, movie tomorrows
the right walk home could bring. I knew you would dance
like that. Before you were mine, your Ma stands at the close
with a hiding for the late one. You reckon it's worth it.
The decade ahead of my loud, possessive yell was the best one, eh?
← Metaphor
I remember my hands in those high-heeled red shoes, relics,
and now your ghost clatters toward me over George Square
← Simile
till I see you, clear as scent, under the tree,
with its lights, and whose small bites on your neck, sweetheart?
Cha cha cha! You'd teach me the steps on the way home from Mass,
← Juxtaposition
stamping stars from the wrong pavement. Even then
I wanted the bold girl winking in Portobello, somewhere
in Scotland, before I was born. That glamorous love lasts
where you sparkle and waltz and laugh before you were mine.
← Repetition
Example Practice Question - Compare how poets present ideas about memory and change in 'Before You Were Mine' and in one other poem from 'Love and Relationships'.
Example Paragraph for a Grade 9 Answer:
In "Before You Were Mine," Carol Ann Duffy presents memory and change through vivid imagery and a reflective tone. The poem begins with the speaker imagining her mother's youth, "Your polka-dot dress blows round your legs. Marilyn," creating a lively scene of friendship and freedom. The allusion to Marilyn Monroe adds a layer of glamour and cultural significance, emphasising the mother's vibrant past. As the poem progresses, the speaker acknowledges the changes brought by her own arrival, "The decade ahead of my loud, possessive yell was the best one, eh?" highlighting the sacrifices and transformations of motherhood. The imagery of "high-heeled red shoes, relics" and the ghostly figure "clatters toward me over George Square" evoke a sense of lost time and longing, while the final lines, "Before you were mine," celebrate the enduring vibrancy of the mother's past self. This vivid portrayal of memory contrasts with the more tranquil satisfaction she feels when he is near, capturing the depth and complexity of her emotions. Through these literary devices, Duffy captures the complexities of memory and the bittersweet nature of change, reflecting on the profound impact of time and motherhood on personal identity.
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