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Revision notes with simplified explanations to understand In a London Drawing room quickly and effectively.
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George Eliot was the pen name of Mary Ann Evans, a Victorian novelist known for her realist fiction. "In a London Drawingroom" offers a critical view of urban life and its lack of vitality. The poem reflects Eliot's observations of the monotonous and oppressive atmosphere of London during the Industrial Revolution.
The sky is cloudy, yellowed by the smoke.
← Imagery
For view there are the houses opposite
Cutting the sky with one long line of wall
Like solid fog: far as the eye can stretch
Monotony of surface & of form
← Alliteration
Without a break to hang a guess upon.
No bird can make a shadow as it flies,
← Imagery
For all is shadow, as in ways o'erhung
By thickest canvass, where the golden rays
Are clothed in hemp. No figure lingering
Pauses to feed the hunger of the eye
Or rest a little on the lap of life.
All hurry on & look upon the ground,
← Metaphor
Or glance unmarking at the passers by.
The wheels are hurrying too, cabs, carriages
All closed, in multiplied identity.
The world seems one huge prison-house & court
← Simile
Where men are punished at the slightest cost
With lowest rate of colour, warmth & joy.
Example Practice Question - Compare how poets present ideas about urban life and its impact in 'In a London Drawingroom' and in one other poem from 'Worlds and Lives'.
Example Paragraph for a Grade 9 Answer:
In "In a London Drawingroom," Eliot critiques urban life through imagery and similes. "The sky is cloudy, yellowed by the smoke" creates a grim urban scene, highlighting the effects of pollution and environmental degradation. The simile "Like solid fog" compares the unbroken line of houses to fog, emphasising the monotonous and oppressive nature of the cityscape. This imagery underscores the poem's critical view of urbanisation and its negative impact on the environment and human spirit...
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Worlds & Lives
On an Afternoon Train from Purley to Victoria, 1955
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