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Priestley uses dramatic irony, especially through Mr. Birling's confident yet incorrect predictions about the future (e.g., the Titanic being "unsinkable"). This technique criticises the arrogance and ignorance of the upper class.
Inspector Goole serves as a mouthpiece for Priestley's socialist views, guiding the characters (and the audience) to reflect on social responsibility and collective guilt.
The play ends on a cliffhanger with the phone call announcing the arrival of a real inspector. This technique heightens tension and leaves the audience questioning the characters' actions and the cyclical nature of the plot.
The play is a "well-made play" with a clear beginning, middle, and end, and is structured as a morality play. Each act builds upon the previous one, steadily increasing tension and revealing the characters' secrets.
Objects and characters (like the Inspector and the photograph) symbolise broader social ideas, such as justice, guilt, and the need for societal change.
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