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Mary Casey's The Class Game explores themes of social class and identity, challenging stereotypes and prejudices about working-class people. Written in the late 20th century, the poem reflects a time when class distinctions in Britain were widely felt, and individuals from working-class backgrounds often faced judgement and discrimination. Casey celebrates the pride and resilience of working-class identity, questioning societal attitudes and assumptions.
How can you tell what class I'm from?
← Rhetorical question
I can talk posh like some
With an 'Olly in me mouth
Down me nose, wear an 'at not a scarf
With me second-hand clothes.
So why do you always wince when you hear
Me say 'Tara' to me 'Ma' instead of 'Bye Mummy dear'?
← Contrast
How can you tell what class I'm from?
'Cos we live in a corpy, not like some
In a pretty little semi, out Wirral way
And commute into Liverpool by train each day?
Or did I drop my unemployment card
Sitting on your patio (We have a yard)?
How can you tell what class I'm from?
Have I a label on me head, and another on me bum?
← Sarcastic tone
Or is it because my hands are stained with toil?
← Imagery
Instead of soft lily-white with perfume and oil?
Don't I crook me little finger when I drink me tea
Say toilet instead of bog when I want to pee?
Why do you care what class I'm from?
Does it stick in your gullet like a sour plum?
Well, mate! A cleaner is me mother
A docker is me brother
Bread pudding is wet nelly
And me stomach is me belly
And I'm proud of the class that I come from.
← Declarative statement
Example practice question - Compare how poets present the effects of societal divisions in The Class Game and one other poem from the 'Power and Conflict' anthology.
In The Class Game, Mary Casey explores the theme of class prejudice through rhetorical questions and imagery. The opening line, "How can you tell what class I'm from?" directly confronts the reader, challenging their assumptions. The vivid imagery of "my hands are stained with toil" juxtaposes the hard work of the working class with the "soft lily-white" hands of the upper class, symbolising a divide between labour and privilege. Through the use of dialect ("me Ma" and "Tara"), Casey reinforces the speaker's pride in their working-class identity while critiquing the superficial judgements of society. The final line, "And I'm proud of the class that I come from," asserts a powerful declaration of self-respect, leaving the reader with a message of defiance and dignity.
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