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By Caleb Femi (b. 1990)
Thirteen
Your horizon was in the east of the smile
on the officer's face; your teacher
said you were going to be a bright star.
The dust in your lungs makes stars from particles
← Metaphor
and you feel a supernova rising.
But we know supernovas are dying stars.
← Metaphor and irony
You will be stopped.
They will empty your pockets, your backpack.
They will ask you about your purpose.
What do you know about yourself?
Your skin becomes a target, an accusation.
← Metaphor
You are no longer a bright star.
← Repitition and contrast
You are something they want to erase.
But even a black hole has power, to consume
and to remain unseen.
You will be thirteen, forever.
← Hyperbole and symbolism
Language device = Metaphor. "The dust in your lungs makes stars from particles" Analysis: The "dust in your lungs" metaphorically represents hardship or adversity, while the "stars from particles" suggest that even in difficult circumstances, something beautiful or meaningful can emerge. This metaphor may indicate that despite the challenges or struggles the boy faces, there is still potential for greatness or brilliance, similarly to stars forming from dust.
Language device = Metaphor and irony. "But we know supernovas are dying stars" Analysis: The metaphor of a "supernova" rising suggests a moment of brilliance and potential. However, the line "dying stars" introduces a dark irony, as it foreshadows the boy's future—his potential is acknowledged, but it's also destined to be cut short by societal prejudices. Just like a supernova is a moment of brilliance but also signifies the end of a star's life. This line highlights the tension between youthful promise and the harsh realities that can destroy it.
Language device = Metaphor. "Your skin becomes a target, an accusation" Analysis: The comparison of the boy's skin to a "target" and an "accusation" powerfully conveys how his identity has shifted from one of promise to one of suspicion and danger. This metaphor reflects the prejudice and racial profiling that young black boys often face, where their very existence is criminalised and questioned. The imagery of skin as a "target" evokes the sense of being hunted or attacked, highlighting the vulnerability and injustice the boy experiences simply because of his race. This line confronts the reader with the harsh realities of racial profiling and its damaging impact on young lives.
Language device = Repetition and contrast. "You are no longer a bright star" Analysis: The repetition of the "bright star" imagery, now in the negative, marks the moment when the boy's potential is overshadowed by societal judgment. This shift in perception reflects the loss of innocence and the weight of external expectations. This quote conveys a sense of disappointment and inevitability, as the promise of youth is replaced by the harsh reality of discrimination.
Language device = Hyperbole and symbolism. "You will be thirteen, forever." Analysis: The phrase "thirteen, forever" exaggerates the notion that the boy is permanently trapped at this stage of life. It emphasises the idea that he will never have the opportunity to grow, progress, or fulfil his potential due to societal barriers. Being "forever" thirteen also carries a deeper significance by linking to the concept of 'unlucky number 13'. In various cultures, the number 13 is considered a symbol of misfortune or bad luck. By stating that the boy will be "thirteen, forever," the poem not only highlights his perpetual state of vulnerability but also connects it to the idea of being trapped in an unlucky, disadvantaged position.
Example Practice Question- Compare how poets present ideas about lost potential in 'Thirteen' and in one other poem from your anthology.
Example Paragraph for a Grade 9 Answer:
In "Thirteen," Femi explores the theme of lost potential through the transition from childhood innocence to the harsh realities of growing up black in a prejudiced society. The line "Your horizon was in the east of the smile / on the officer's face" suggests an early promise of a bright future, but this is quickly undercut by the line "But we know supernovas are dying stars," which foreshadows the boy's fate. The use of the second person makes the reader feel directly addressed and involved, heightening the impact of the poem's message about the inevitability of lost potential due to societal prejudice. This contrasts with…
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