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Ornamentation Simplified Revision Notes

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Ornamentation

Ornamentation refers to the techniques used to "dress up" tunes in Irish traditional music, adding depth, variation, and individuality to performances. It is a hallmark of the tradition, emphasizing creativity and spontaneity, as no two performances of a tune are ever identical.

Key Concepts

  • Ornamentation: Techniques used to embellish a melody, such as cuts, tips, rolls, crans, and triplets.
  • Variation: Changing the rhythm, melody, phrasing, or harmony of a tune in subtle or pronounced ways between performances or even within a single performance.
  • Both ornamentation and variation reflect the personal style of the performer and contribute to the individuality of each rendition.

Instrumental Ornaments

Universal Ornaments

These techniques are common across most melody instruments:

  • Cut: A quick extra note above the main note, similar to a grace note.
  • Tip: The opposite of a cut; a quick extra note below the main note.
  • Roll: A combination of cuts and tips, creating a smooth embellishment. Rolls can be short or long, depending on the rhythm.
  • Triplet: Three notes played at the time of one beat, adding rhythmic interest.

Ornaments Associated with Specific Instruments

  • Cran (Pipes):
    • Used on the low D of the uilleann pipes, where a roll cannot be played.
    • Simulates a roll by alternating the main note with notes above it (e.g., A, G, and F# alternated with D).
  • Double Stopping (Fiddle):
    • Involves playing two notes simultaneously, often with one note as a drone.
    • Mimics the drone effect of the pipes and is also borrowed by accordion and concertina players.
  • Slide (Fiddle):
    • A technique where the player slides between two notes, especially effective in slow airs.
    • Not to be confused with the slide dance, a type of fast single jig.

Types of Variation

A variation involves altering aspects of the tune during the performance:

  • Rhythmic Variation: Adjusting the rhythm of the tune, such as changing note lengths or introducing syncopation.
  • Melodic/Intervallic Variation: Changing the pitch or intervals in the melody while retaining the tune's character.
  • Phrase Variation: Altering phrasing by changing bowing patterns, breathing points, or articulation.
  • Harmonic Variation: Modifying the melody in a way that changes the implied harmony.

Improvisation and Style

  • Ornamentation and variation are improvised by the performer and adapted to suit the tune, the setting, and the performer's style.
  • Skilled performers demonstrate composition-like direction and structure in their improvisation, creating performances that feel cohesive and intentional.

Impact of Changes in Irish Music

  • Techniques traditionally associated with specific instruments are now commonly borrowed by others (e.g., crans on the flute or accordion).
  • Advances in instrument quality and playing techniques have expanded the possibilities for ornamentation and variation.

Exam Tips

  • Define Key Terms: Clearly explain ornamentation and variation.
  • List Techniques: Be able to describe cuts, tips, rolls, crans, triplets, and slides with examples of instruments where they are used.
  • Highlight Variation: Discuss how rhythmic, melodic, phrase, and harmonic variations contribute to a performance.
  • Use Examples: Mention specific instruments and their ornaments (e.g., crans on pipes, slides on fiddle).
  • Discuss Personal Style: Emphasize how ornamentation reflects the individuality of the performer.

Ornamentation and variation are fundamental to Irish traditional music, showcasing the creativity, skill, and unique expression of each performer.

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