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The Harping Tradition Simplified Revision Notes

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The Harping Tradition

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The harp holds a unique place in Irish music and culture, recognised as Ireland's national emblem and symbolising the country's rich musical heritage. Its history spans centuries, from medieval courts to modern-day revivals.

Origins and Historical Significance

  • The earliest Gaelic term for the harp was "cruit."
  • The harp has existed in Ireland for over 1,000 years, with evidence of its use depicted on the 12th-century wall of Ardmore Cathedral, Co. Waterford.
  • The Brian Boru Harp, on display at Trinity College Dublin, is Ireland's oldest surviving harp and inspired the national symbol of Ireland.

The Harping Tradition

Medieval Golden Age

  • Flourished during the Middle Ages, supported by wealthy Irish and Anglo-Irish families.
  • Harpers were highly regarded and travelled with poets (file) and orators (reacĂłir) as part of the nobility's entourage.
  • Planxties (solo pieces) were composed in honour of patrons, such as "Planxty Kelly."
  • Harping was a prestigious occupation, often passed from father to son and accessible to blind boys as a viable career.

Decline of the Tradition

  • By the 17th century, the harping tradition declined due to the loss of noble patronage following the fall of the Gaelic aristocracy.
  • Harpers became itinerant musicians, travelling for food and money.
  • The Penal Laws further suppressed Irish culture, with Queen Elizabeth I and Oliver Cromwell targeting harpers and their instruments for destruction.

The Belfast Harp Festival (1792)

  • Organised to preserve the dying harping tradition.
  • Featured 11 harpers aged 15–97, including notable players like Denis Hempson.
  • Edward Bunting, a 19-year-old organist, was commissioned to notate the music and document the lives of the harpers.
    • Bunting's publications, such as "The Ancient Music of Ireland" (1840), preserved many Gaelic harp tunes and techniques, ensuring their survival.
  • However, nuances of style and ornamentation were lost in Bunting's classical arrangements.

Types of Harps

Bardic Harp (Old Irish Harp)

  • Strings: 29–31 wire strings, played with fingernails.
  • Sound: Resonant with long-lasting tones, requiring complex damping techniques.
  • Size: Approximately 70cm in height, with a curved pillar and hollow soundbox.

Neo-Irish Harp

  • Strings: 34 nylon or gut strings, played with the pads of the fingers.
  • Sound: Warmer tone, more suited to modern styles.
  • Size: Taller than the Bardic harp (around 91cm).
  • Fitted with levers to create semitones.

Turlough O'Carolan (1670–1738)

  • The best-known Irish harper and composer of the 17th century.
  • Blended Irish harp music with Baroque influences.
  • Famous works include:
    • "Planxty Irwin"
    • "O'Carolan's Concerto"
    • "Eleanor Plunkett"
  • His compositions are widely performed today on instruments like the piano and classical guitar.

20th-Century Harp Revival

  • The second half of the 20th century saw a resurgence in interest in the harp, led by players like:
    • Máire NĂ­ Chathasaigh: Albums include "The New Strung Harp."
    • Laoise Kelly: Known for "Just Harp."
    • Derek Bell (The Chieftains) and Gráinne Yeats.
  • Harp classes, competitions, and grade exams are now common, reflecting the instrument's growing popularity.

Modern Harping Techniques

  • Harps are now typically held against the right shoulder (reversed from the traditional left).
  • Played with broken chords for accompaniment.
  • Modern harps are fitted with blades or levers for greater versatility in key changes.

Exam Tips

  • Key Historical Points: Highlight the harp's importance during medieval times, its decline, and its revival.
  • Describe the Harps: Differentiate between the Bardic and Neo-Irish harps, focusing on their construction, sound, and playing techniques.
  • Mention Key Figures: Include Denis Hempson, Edward Bunting, and Turlough O'Carolan in your answers.
  • Use Examples: Reference specific planxties like "Planxty Kelly" and modern recordings like "The New Strung Harp." The harp remains a vital part of Irish traditional music, symbolising both its ancient heritage and modern revival**.**
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