VRAAG 5: IMPROVISASIE EN CHOREOGRAFIE
5.1 Kies DRIE terme wat in die lys hieronder verskaf is vir ELK van die volgende - NSC Dance Studies - Question 5 - 2022 - Paper 1
Question 5
VRAAG 5: IMPROVISASIE EN CHOREOGRAFIE
5.1 Kies DRIE terme wat in die lys hieronder verskaf is vir ELK van die volgende. Skryf slegs die woord langs die vraagnommers... show full transcript
Worked Solution & Example Answer:VRAAG 5: IMPROVISASIE EN CHOREOGRAFIE
5.1 Kies DRIE terme wat in die lys hieronder verskaf is vir ELK van die volgende - NSC Dance Studies - Question 5 - 2022 - Paper 1
Step 1
5.1.1 Ruimte
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Answer
In the context of choreography, 'ruimte' or space refers to the dimensions and area in which movement takes place. It encompasses both the physical environment and the conceptual idea of how space is utilized in performance.
Step 2
5.1.2 Tyd
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'Tyd' or time in choreography is critical as it determines the rhythm, tempo, and pace of movements. It influences how actions are perceived and experienced by the audience, adding emotional depth to the performance.
Step 3
5.1.3 Krag
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'Krag' or force relates to the strength and energy behind movements. This term examines the intensity with which a dancer executes movements and can greatly impact the visual and emotional expression of a performance.
Step 4
5.2 IMPROVISASIE
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Improvisation is a vital tool in developing movement vocabulary for choreography. It allows dancers to explore spontaneous creation, leading to authentic movements inspired by personal expression and emotional states. By encouraging dancers to play with variations and physicality, improvisation fosters creativity, which can then be sampled, combined, and refined into a cohesive choreographic piece.
Step 5
5.4
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Answer
In planning the use of the space for the choreography competition, I would consider the unique features of the environment, such as its architecture and ambiance. I aim to integrate the stairwell's verticality by incorporating level changes within the choreography, emphasizing contrasts between high and low positions. I would also utilize transitions that navigate through the space, allowing the dance to engage with the surroundings, creating a dialogue between movement and architecture.
