QUESTION 6: DANCE LITERACY
6.1 Indicate whether the following statements are TRUE or FALSE - NSC Dance Studies - Question 6 - 2024 - Paper 1
Question 6
QUESTION 6: DANCE LITERACY
6.1 Indicate whether the following statements are TRUE or FALSE. Write only 'true' or 'false' next to the question numbers (6.1.1 to 6.1.... show full transcript
Worked Solution & Example Answer:QUESTION 6: DANCE LITERACY
6.1 Indicate whether the following statements are TRUE or FALSE - NSC Dance Studies - Question 6 - 2024 - Paper 1
Step 1
6.1.1 Theatrical dance forms are performed on proscenium arch stages only.
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Answer
False. Theatrical dance forms can be performed in various settings, including proscenium stages, arenas, and even non-traditional spaces.
Step 2
6.1.2 Lighting, sound and special effects are typical features of non-conventional dance spaces.
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Answer
False. While lighting and sound can enhance performances, they may not always be a characteristic of non-conventional dance spaces.
Step 3
6.1.3 Social dance is inclusive of anyone.
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True. Social dance aims to involve participants from diverse backgrounds and abilities.
Step 4
6.1.4 Public areas are examples of site-specific dance spaces.
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Answer
True. Public areas can serve as site-specific venues, allowing for unique performance contexts.
Step 5
6.1.5 Healing is a function of cultural dance.
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Answer
True. Cultural dance often plays a role in community healing and expressions of identity.
Step 6
6.2 Discuss the value of learning about South African indigenous dances.
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Learning about South African indigenous dances offers insights into various cultures, promotes respect and unity, and preserves historical traditions.
Step 7
6.3 Write an essay about your dance major exploring its origin, how it has developed and what it could be in the future.
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Answer
Then, Now and Into the Future...
Contemporary dance emerged in the early 20th century as a response to classical ballet's stringent rules. Artists like Isadora Duncan and Loie Fuller helped pioneer this expressive form, integrating various art elements to explore deeper emotions.
In South Africa, contemporary dance has evolved to incorporate local cultures, with choreographers merging contemporary techniques with African movement styles. This fusion has created unique genres that challenge conventional dance forms and accessibility issues.
Looking ahead, I envision contemporary dance becoming more inclusive and accessible through technology and global collaboration, encouraging diverse forms of creative expression.
