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6.1 Indicate whether the following statements are TRUE or FALSE - NSC Dance Studies - Question 6 - 2024 - Paper 1

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6.1 Indicate whether the following statements are TRUE or FALSE. Write only 'true' or 'false' next to the question numbers (6.1.1 to 6.1.5) in the ANSWER BOOK. 6.1.... show full transcript

Worked Solution & Example Answer:6.1 Indicate whether the following statements are TRUE or FALSE - NSC Dance Studies - Question 6 - 2024 - Paper 1

Step 1

6.1.1 Theatrical dance forms are performed on proscenium arch stages only.

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Answer

False. Theatrical dance forms can be performed in various spaces, including proscenium stages, but not exclusively limited to them.

Step 2

6.1.2 Lighting, sound and special effects are typical features of non-conventional dance spaces.

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False. While lighting, sound, and special effects can enhance performances in non-conventional spaces, they are not necessarily typical features; many non-conventional spaces may focus more on the raw physicality of the dance.

Step 3

6.1.3 Social dance is inclusive of anyone.

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True. Social dance is indeed inclusive and open to all individuals, regardless of background or skill level.

Step 4

6.1.4 Public areas are examples of site-specific dance spaces.

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True. Public areas can act as site-specific dance spaces, uniquely adapted for performances in that particular environment.

Step 5

6.1.5 Healing is a function of cultural dance.

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True. Cultural dance often serves healing purposes, fostering community well-being and individual emotional expression.

Step 6

6.2 Discuss the value of learning about South African indigenous dances.

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The value of learning South African indigenous dances lies in gaining insights into diverse cultural backgrounds, fostering respect for traditions, and understanding the historical context of these dances. They serve as a vehicle for community bonding and social unity, emphasizing the richness of South African heritage.

Step 7

6.3 Write an essay about your dance major exploring its origin, how it has developed and what it could be in the future.

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Answer

Then, now and into the future ...

Contemporary dance started in the early 20th century, evolving from traditional forms into a unique expression that emphasizes personal emotion and innovation. It often sparked revolutions against rigid classical forms.

Notably, figures like Isadora Duncan and Ruth St. Denis were instrumental in this evolution, merging different styles and cultural backgrounds to broaden the scope of contemporary dance.

Today, contemporary dance incorporates various influences and has embraced technology, making it accessible to diverse audiences and participants. Looking forward, this genre is likely to evolve even further, possibly integrating deeper into the digital landscape, thus allowing more global connections and participatory experiences.

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