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QUESTION 6: DANCE LITERACY 6.1 Indicate whether the following statements are TRUE or FALSE - NSC Dance Studies - Question 6 - 2024 - Paper 1

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QUESTION 6: DANCE LITERACY 6.1 Indicate whether the following statements are TRUE or FALSE. Write only 'true' or 'false' next to the question numbers (6.1.1 to 6.1.5... show full transcript

Worked Solution & Example Answer:QUESTION 6: DANCE LITERACY 6.1 Indicate whether the following statements are TRUE or FALSE - NSC Dance Studies - Question 6 - 2024 - Paper 1

Step 1

6.1.1 Theatrical dance forms are performed on proscenium arch stages only.

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Answer

False: Theatrical dance forms can be performed in a variety of settings, not limited to proscenium arch stages.

Step 2

6.1.2 Lighting, sound and special effects are typical features of non-conventional dance spaces.

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Answer

True: Lighting, sound, and special effects significantly enhance the atmosphere and presentation of dance in non-conventional spaces.

Step 3

6.1.3 Social dance is inclusive of anyone.

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True: Social dance aims to be inclusive, often welcoming participants from various backgrounds and skill levels.

Step 4

6.1.4 Public areas are examples of site-specific dance spaces.

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True: Public areas can serve as site-specific dance spaces, providing unique contexts for performance.

Step 5

6.1.5 Healing is a function of cultural dance.

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True: Cultural dance often serves as a means of healing, connecting individuals and communities through traditional practices.

Step 6

6.2 Discuss the value of learning about South African indigenous dances.

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Learning about South African indigenous dances is valuable as it enriches cultural understanding, fosters respect for diversity, and provides insight into various traditions. These dances encapsulate the history, community values, and social practices of South African heritage.

Step 7

6.3 Write an essay about your dance major exploring its origin, how it has developed and what it could be in the future.

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Then, now and into the future …

Contemporary dance started in the early 20th century. Popular dance forms at the time moved away from classical ballet and vaudeville, embracing more personal expression. Initial figures in contemporary dance, such as Isadora Duncan and Martha Graham, laid the groundwork for future innovation.

Today, contemporary dance has evolved, integrating various styles and cultural influences, and making the art form more accessible. The genre continuously adapts to the changing social landscape, pushing boundaries and incorporating diverse bodies. The future likely holds even greater access to dance, utilizing technology to connect performers and audiences globally, ensuring the art form remains dynamic and inclusive.

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