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CHOREOGRAPHER Choose ONE choreographer that you have studied from the prescribed list below - NSC Dance Studies - Question 8 - 2024 - Paper 1

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CHOREOGRAPHER Choose ONE choreographer that you have studied from the prescribed list below. SOUTH AFRICAN CHOREOGRAPHERS INTERNATIONAL CHOREOG... show full transcript

Worked Solution & Example Answer:CHOREOGRAPHER Choose ONE choreographer that you have studied from the prescribed list below - NSC Dance Studies - Question 8 - 2024 - Paper 1

Step 1

An introduction on the choreographer:

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Good evening and welcome to the dance festival. It is my pleasure to introduce you to the remarkable Gregory Maqoma. Born in 1973 in Soweto, South Africa, Maqoma began his journey in dance in the 1980s as a means to navigate the turbulent social landscape of his youth. He trained at Moving into Dance (MID) and later received a scholarship to study abroad. Notably, he founded the Vuyani Dance Theatre, which has gained international acclaim for its innovative exploration of African dance forms.

Step 2

Background

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Maqoma's roots in a vibrant community shaped his background in dance. His early exposure to various cultural influences inspired his creative direction, making him a prominent figure in the South African dance scene.

Step 3

Training and dance career

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His formal training started with MID, where he honed his skills and developed a unique choreographic voice. His career has been marked by a commitment to merging traditional African dance with contemporary styles, bringing rich narratives and social issues to the forefront.

Step 4

Contribution to dance in society

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Gregory Maqoma's contributions extend beyond his choreography; he is dedicated to fostering a deeper understanding of South African culture through dance. His works often address socio-political themes, encouraging audiences to engage with pressing societal issues.

Step 5

How the choreographer's choreographic style and/or dance work has been influenced by:

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Maqoma's choreographic style is a rich tapestry of influences.

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