Choose ONE of the SOUTH AFRICAN or INTERNATIONAL choreographer and one of their dance works from the prescribed list above - NSC Dance Studies - Question 7 - 2017 - Paper 1

Alfred Hinkel's Bolero is deeply rooted in his experiences and cultural background. Hinkel started dancing at an early age, despite his father's opposition. He trained at the University of Cape Town's School of Dance and continued his education at the Johannesburg Dance Theatre.

His approach to choreography is significantly influenced by the socio-political landscape of South Africa, particularly during the Apartheid era. This socio-political context shaped his artistic expression and thematic choices, as he sought to investigate and challenge the issues surrounding him.

In collaboration with various artists, Hinkel has continually reworked Bolero, showcasing the piece in diverse contexts, reflecting on the communal experiences of the South African populace.

Bolero presents a powerful narrative structured around a constantly evolving political landscape. It touches on themes of struggle and resilience, specifically focusing on the experiences of marginalized communities in South Africa. The piece progresses through various manifestations which represent the journey of overcoming adversity and asserting one's identity within a challenging environment. Hinkel’s choreography often alludes to both personal and collective stories, allowing the audience to engage with underlying social messages.

The costume design in Bolero plays a critical role in conveying the characters' journeys and emotions. Hinkel's use of black, symbolic of many aspects of South African life, ensures that the dancers' movements are highlighted against their attire. The costumes vary in style and reflect the theme of unity amid diversity.

Lighting in Bolero is crucial to the storytelling, utilizing combinations of blue, red, and white lights. This not only enhances the mood but also directs the audience's attention to specific moments in the performance. The set design develops a stark contrast between dark and illuminated spaces, echoing the themes of struggle and hope interwoven throughout the work.

The music for Bolero, originally composed by Maurice Ravel, is characterized by its repetitive structure that builds intensity throughout the performance. The recurring motifs align with the dance's themes of persistence and renewal. The layering of instruments creates a rich auditory experience that supports the dancers' movements. The synchronization between the choreography and music is meticulously crafted, ensuring that the emotional weight of the piece resonates with the audience.

Alfred Hinkel's contributions to South African dance are multifaceted. As a director and choreographer, he has produced numerous works that interrogate socio-political issues within South Africa. He has been influential in mentoring new generations of dancers, advocating for the importance of dance as a form of cultural expression and social commentary. Hinkel's work not only enriches the South African dance landscape but also encourages critical dialogues about identity and heritage, making his contributions significant and far-reaching.