To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dignify, to dramatize, to persuade, and perhaps even to amuse - NSC Design - Question 4 - 2018 - Paper 1
Question 4
To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dign... show full transcript
Worked Solution & Example Answer:To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dignify, to dramatize, to persuade, and perhaps even to amuse - NSC Design - Question 4 - 2018 - Paper 1
Step 1
Neoclassicism: The Aims and Influences
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Neoclassicism aims to create designs that are simplified, ordered, and balanced. It draws inspiration from classical architecture to create harmonious structures that emphasize clarity and dignity. A vital influence on this movement is the revival of classical Greek and Roman ideals, applied in contemporary contexts to evoke stability and moral responsibility.
Step 2
Neoclassicism: Stylistic Characteristics
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Stylistically, Neoclassical designs often feature symmetrical arrangements and the use of columns reminiscent of ancient temples. Decorative elements, such as medallions and motifs like laurel leaves, serve to accentuate the grandeur of these structures, creating an impression of timelessness and order.
Step 3
Neoclassicism: Designer Example
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An excellent example of Neoclassical design is the USA Congress building by Thornton, Latrobe, and Bulfinch. This structure embodies the simplicity and clarity characteristic of Neoclassicism, with its impressive dome and organized colonnades.
Step 4
Deconstructivism: The Aims and Influences
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Deconstructivism seeks to challenge traditional notions of design by subverting conventional methods of construction. It emphasizes fragmentation and unpredictability, rejecting the principles of order and harmony found in earlier movements, while inviting viewers to interpret the space in unique ways.
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Deconstructivism: Stylistic Characteristics
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The characteristics of Deconstructivism include disjointed forms, angular shapes, and a lack of conventional symmetry. Its designs often appear chaotic, pushing the boundaries of architectural norms to evoke a sense of urgency or emotional tension.
Step 6
Deconstructivism: Designer Example
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Frank Gehry's ‘Foundation Louis Vuitton’ exemplifies Deconstructivism with its dynamic forms and use of transparent materials. This structure visibly embodies the movement's essence by breaking down stable forms to reveal underlying complexities.