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To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dignify, to dramatize, to persuade, and perhaps even to amuse - NSC Design - Question 4 - 2018 - Paper 1
Question 4
To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dign... show full transcript
Worked Solution & Example Answer:To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dignify, to dramatize, to persuade, and perhaps even to amuse - NSC Design - Question 4 - 2018 - Paper 1
Step 1
Neoclassicism: The aims and influences of EACH movement
Answer
Neoclassicism aims to create simplified and ordered designs that echo the Classical ideals of harmony and proportion. The movement is influenced by the Classical traditions of Roman and Greek architecture, reflecting balance, clarity, and moral principles.
For instance, the USA Congress building exemplifies these ideals, showcasing an impressive dome and structured columns that evoke a sense of stability.
Step 2
Neoclassicism: The stylistic characteristics of your chosen movements
Answer
Neoclassical design emphasizes symmetry, order, and a sense of grandeur, often incorporating motifs like columns and medallions. The repetition of forms creates a visually harmonious and balanced structure, which is a hallmark of this movement.
Step 3
Step 4
Deconstructivism: The aims and influences of EACH movement
Answer
Deconstructivism seeks to challenge traditional design principles, often breaking down established norms to create new forms of expression. It aims to convey complexity and fluidity, reflecting a modern interpretation of space and structure.
Step 5
Deconstructivism: The stylistic characteristics of your chosen movements
Answer
Characteristic of Deconstructivism are fragmented shapes and unconventional layouts, often creating a dynamic visual experience. The use of disjointed forms and angular designs exemplifies the rejection of harmony typical in classical architecture.
Step 6