QUESTION 3: SOPHIATOWN BY THE JUNCTION AVENUE THEATRE COMPANY Study SOURCE C below and answer the questions that follow - NSC Dramatic Arts - Question 3 - 2018 - Paper 1

To block this scene effectively, I would position Mingus slightly apart from Jakes and Fahfee, indicating his feelings of isolation despite being in their company. Jakes could be placed centrally, dominating the conversation with gestures that show his confidence in expressing ideas. Fahfee might be shown as moving between the two, highlighting his role as a mediator. For example, when Jakes expresses his dream, he could step towards Fahfee, showing collaboration and ambition, while Mingus remains back, emphasizing his reluctance.

Jakes hints at a significant revelation or a master plan that he believes will impress or shock everyone, suggesting that he has a unique perspective or insider information that could change perceptions. This may involve his boxing narrative, which he has been working on, indicating that he sees the potential for leveraging his talents or stories for greater recognition and impact.

The actor portraying Mingus should utilize a slumped posture to represent his resignation to his illiteracy. He could display physical gestures of frustration or helplessness when attempting to express himself verbally. Vocally, a soft, hesitant tone could convey his insecurity, while moments of louder outbursts could represent his frustrations about his sister's situation and his dire wishes to express affection, thus creating a contrast that brings depth to his character.

Elements of Protest Theatre in Sophiatown include its focus on social issues such as apartheid and the lives of marginalized individuals. The dialogue reflects the political realities of the time, criticizing social injustices while also calling for action. The characters' discussions about mobilization and resistance against the oppressive regime signify an inherent challenge to the status quo, characteristic of protest theatre.

Dear Journal,

Living in Sophiatown has been a mixture of vibrant culture and extreme tension. I shared my space with many others, each with their own stories and struggles. Despite the crowded living conditions, there was a community spirit that made our experiences more bearable. However, the forced removals have shattered this unity. Losing my home in Mamarlith's house was devastating. I remember the day vividly; it felt as if a part of me was torn away. I never imagined that the relationships I formed would be uprooted so violently.

Now, as I reflect on those times, I see how deeply intertwined our personal lives are with the political climate. The injustices we faced fueled my desire to fight for our rights. Even now, I find strength in remembering our shared struggles, and I vow to keep their voices alive.