2.1 Name the 'original theatrical style' of the play (line 4) - NSC Dramatic Arts - Question 2 - 2023 - Paper 1

The aims of Protest Theatre include: 1. To provoke thought and discussion about socio-political issues. 2. To inspire audiences to take action against injustices.

The three theatrical elements criticized by Bradley Adams are: 1. The underwhelming character portrayals. 2. The lack of energy and engagement from the actors. 3. The misalignment in the use of dance and music that detracted from the original intent of the play.

In 'Woza Albert!', the injustices of apartheid are presented through various narrative elements, such as: 1. The restrictions on black people's movements emphasized by passbook controls. 2. The failure of the system to provide basic human rights, leading to marginalization and disenfranchisement. 3. The portrayal of characters like Morena, who epitomizes the struggle against systemic oppression.

The workshop process began by engaging with the central idea—social injustice. This involved: 1. Brainstorming sessions that addressed real-life struggles. 2. Rehearsals that incorporated feedback to refine character portrayals. 3. Iterative discussions that shaped plot and character development to enhance audience connection.

'Woza Albert!' inspires solidarity by depicting collective struggles. The outrage is evoked through relatable character dilemmas, instigating emotional responses. The call to action is presented as the characters embody resilience, encouraging audience members to translate feelings into real-world activism.

Morena represents the Christ figure, embodying hope and resistance. His character reflects the aspirations of the oppressed, engaging the audience emotionally. Through his journey, Morena illustrates the personal and collective sacrifices made in the fight for freedom, making him central to the play's thematic exploration.