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Question 3
QUESTION 3: SOPHIATOWN BY THE JUNCTION AVENUE THEATRE COMPANY Study SOURCE C below and answer the questions that follow. SOURCE C 'N UITTREKSEL UIT SOPHIATOWN ... show full transcript
Step 1
Answer
Mingus requests Jakes to write a love letter because he is unable to express his emotions directly due to illiteracy. This task allows Mingus to convey his feelings to his love interest while depending on Jakes's skills. It also signifies Mingus's trust in Jakes as a close friend.
Step 2
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To highlight the relationships, I would position Mingus and Jakes closely at the center of the stage, showcasing their friendship. Fahfee could be positioned slightly apart but within earshot, emphasizing his role as an intermediary. When Mingus speaks about politics and Lulu, his physical stance would be defensive to show protectiveness. Jakes could lean in when discussing his dreams, indicating excitement and aspiration.
Step 3
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Jakes mentions he has a story that will impress everyone, indicating his aspirations in boxing. This narrative could revolve around a major boxing match he’s preparing for, which he believes will elevate his status and prove his capabilities, thus capturing attention and respect.
Step 4
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The actor should embody Mingus's character by using a defensive posture when discussing family and political issues. Vocal techniques like a softer, hesitant tone when expressing vulnerability and a stronger, forceful tone when addressing his frustrations would be effective. Facial expressions should convey concern and passion.
Step 5
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Sophiatown features elements of Protest Theatre such as direct engagement with socio-political issues, including apartheid and forced removals. The dialogue reflects real-life struggles, aiming to mobilize the audience against these injustices. The characters' experiences connect deeply with historical events pertaining to South Africa's fight for equality.
Step 6
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Dear Journal,
Living in Sophia town has been a blend of community and chaos. We shared close bonds with neighbors, yet the tension of forced removals constantly lurked.
Witnessing the forced removals has left me feeling displaced and vulnerable; my home here feels less like a sanctuary. Mamarlith lost her house, and with it, so much history and hope. These events not only affect individuals but tear apart the very fabric of our community.
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