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13.1 Refer to lines 8–9: 'Even now, now, very now, an old black ram is tupping your white ewe.' What impression of Iago is created in these lines? 13.2 Refer to lines 1–5: 'What … ask you this?' Account for the numerous questions in these lines - NSC English HL - Question 13 - 2019 - Paper 2
Question 13
13.1 Refer to lines 8–9: 'Even now, now, very now, an old black ram is tupping your white ewe.' What impression of Iago is created in these lines? 13.2 Refer ... show full transcript
Worked Solution & Example Answer:13.1 Refer to lines 8–9: 'Even now, now, very now, an old black ram is tupping your white ewe.' What impression of Iago is created in these lines? 13.2 Refer to lines 1–5: 'What … ask you this?' Account for the numerous questions in these lines - NSC English HL - Question 13 - 2019 - Paper 2
Step 1
Refer to lines 8–9: 'Even now, now, very now, an old black ram is tupping your white ewe.'
Answer
Iago is portrayed as crude and vulgar through his racist description of Othello. By referring to Othello as 'an old black ram', he dehumanizes him, creating a vivid and unsettling image that highlights Iago's malicious intent. This language not only reveals his contempt for Othello but also reflects his enjoyment in manipulating and distressing Brabanti.
Step 2
Refer to lines 1–5: 'What … ask you this?'
Answer
The numerous questions in these lines serve to heighten the tension and create suspense between Iago and Roderigo. Each question reveals Brabanti's confusion and alarm regarding Desdemona's apparent elopement with Othello. The cumulative effect of the questions underscores the urgency of the situation and illustrates Brabanti's growing sense of betrayal.
Step 3
Refer to lines 17–20: 'The worser welcome!'
Answer
Brabanti's attitude towards Roderigo here is one of scorn and disdain, differing from his later approach. Initially, he is dismissive of Roderigo's concerns, which indicate his position of power and certainty. However, as the narrative progresses and the seriousness of the situation becomes evident, Brabanti soon shifts towards a more cooperative and desperate demeanor.
Step 4
Refer to lines 29–30: 'What tell’st thou … not a grange' and line 33: 'Let loose on me the justice of the state'.
Answer
These lines suggest Venice's role as a bastion of law and order. Brabanti's appeal to the justice of the state indicates a belief in the legal system to resolve disputes. It implies that justice will prevail, reinforcing the idea that Venice is a place governed by rationality and order, contrary to the chaos instigated by Iago.
Step 5
Refer to lines 35–36: 'Strike on the … all my people!'
Answer
As a director, I would instruct the actor to deliver these lines with urgency and an escalated tone to convey Brabanti's rising panic. Body language should include frantic gestures, such as looking around in distress and pointing emphatically, to express his desperation. This combination of tone and body language would effectively communicate his fear for his household and sense of impending danger.