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4.1.1 Complete the harmonic progression below in four parts by inserting a passing second inversion pattern - NSC Music - Question 4 - 2021 - Paper 1

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4.1.1 Complete the harmonic progression below in four parts by inserting a passing second inversion pattern. 4.1.2 Complete the four-part vocal harmonisation below ... show full transcript

Worked Solution & Example Answer:4.1.1 Complete the harmonic progression below in four parts by inserting a passing second inversion pattern - NSC Music - Question 4 - 2021 - Paper 1

Step 1

Complete the harmonic progression below in four parts by inserting a passing second inversion pattern.

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Answer

To complete the harmonic progression with a passing second inversion pattern, we first identify the chords indicated:

  1. Identify the Chords: Evaluate the given progressions. For example, if the progression is from IV to V, we may use a passing chord like ii (supertonic) in second inversion to connect them.

  2. Insert the Passing Chord: We might insert it as:

    • Bass: E
    • Alto: G
    • Tenor: C
  3. Maintain Voice Leading: Ensure that every voice moves smoothly, preserving counterpoint and voice leading rules. Each voice should ideally move to the nearest possible note in the next chord.

  4. Finalize Voicing: Add the notes in the other voices according to the harmonic principles, ensuring correctness in position and spacing.

Step 2

Complete the four-part vocal harmonisation below by adding the alto, tenor and bass parts.

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Answer

  1. Analyze Given Material: Start by understanding the root of the chord progression. Identify the context—knowing whether it is major or minor will influence your note selections.

    • For instance, if the given chord is C major (I), the notes are C, E, G.
  2. Add the Alto Part: The alto typically sits above the tenor but below the soprano. You can fill in with notes like E or A that complement the harmonics.

  3. Insert the Tenor Part: The tenor should harmonize effectively with both the alto and the bass, often using the fifths or thirds of the bass chord. Consider using G or B.

  4. Construct the Bass Line: Ensure the bass is the root note of the chords, like C for C major. Make sure it supports harmonic movement while adhering to the established progression.

  5. Review and Adjust: Check for overlapping notes, spacing, and overall balance of the musical texture between the four parts. Adjust any notes necessary to maintain clear voicing.

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