5.1 Indicate THREE items in COLUMN A that relate to the music in Track 31 - NSC Music - Question 5 - 2021 - Paper 2

The appropriate items for Track 32 are:

• Pesante
• Brass introduction
• Syncopation in melodic line

1. Most prominent compositional feature:

   • Pedal point, creating tension and a strong tonal center.

2. Romantic feature:

   • Cantabile melody with broken chord accompaniment, highlighting the expressive nature of the piece.

3. Phrases:

   • Features regular (4-bar) phrases with balanced symmetry, and variation in phrasing for interest.

5.4.1

• Time signature: Track 34 features a quadruple time signature, while Track 35 uses a duple time signature.
• Texture: Track 34 exhibits homophonic texture, while Track 35 features polyphonic texture with contrapuntal and fugal elements.

5.4.2

• Mood: Track 36 is majestic and grand, contrasting with Track 37, which is agitated and energetic.
• Articulation: Track 36 primarily employs legato playing, whereas Track 37 has more varied articulation with staccato and detached notes.

The character who sings in this extract is Papageno.

The voice type heard in this extract is Baritone.

The woodwind instrument identified is the Piccolo.

The accompaniment features low-pitched strings (viola/cello/double bass) creating a pedal point. The woodwinds provide texture with light and sparse intervals while strings end phrases. A scale-like passage and broken chords enhance the harmonic structure, especially at pivotal points.

The best descriptions include:

• Motives played by the lower woodwinds
• Cantabile melodies
• Clarinet and oboe play solo passages

The melody begins with a legato opening phrase (4-bar) led by a solo clarinet. A subsequent phrase is played by the solo French horn, reflecting the Alpine horn traditions. The texture alternates as the horn answers the clarinet, featuring intervals that enhance its folk-like characteristics.

The accompaniment intertwines low-pitched strings maintaining a pedal point, with the horn providing a dynamic role. Crescendos at pivotal moments elevate the texture, supported by string sections, breaking chords for harmonic development.