Listen to the extract from the first movement of Sonatina by F. Kuhlau. Answer the questions that follow. Play Track 2 ONCE to provide a general overview. Play Track 3 ONCE. 2.1 Identify the non-harmonic note at 2.1. Play Track 4 FOUR times. Pause ONE minute between each repetition. 2.2 Fill in the missing notation at 2.2. Play Track 5 TWICE. 2.3 Identify TWO compositional techniques used at 2.3. Play Track 6 ONCE. 2.4 What is the main key of this extract? 2.5 Which symbol could have been used to replace the small printed notes at 2.5? Make a cross (X) in the appropriate block. 2.6 Would you say that this extract is the concluding section of the Sonatina's first movement or not? Give TWO reasons to motivate your answer. 2.7 Identify the triad played by the left hand at 2.7, i.e. minor triad.

NSC Music Classical style period: Listen to the extract from the f

Listen to the extract from the first movement of Sonatina by F - NSC Music - Question 2 - 2017 - Paper 2

Question 2

Listen to the extract from the first movement of Sonatina by F. Kuhlau. Answer the questions that follow. Play Track 2 ONCE to provide a general overview. Play Tra... show full transcript

Worked Solution & Example Answer:Listen to the extract from the first movement of Sonatina by F - NSC Music - Question 2 - 2017 - Paper 2

Step 1

Identify the non-harmonic note at 2.1.

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Answer

The non-harmonic note at 2.1 is a passing note. This note provides a smooth transition between two harmonic tones.

Step 2

Fill in the missing notation at 2.2.

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Answer

The missing notation at 2.2 is represented by notes corresponding to the rhythmic and melodic values in the excerpt. Ensure both pitch and rhythm are accurate.

Step 3

Identify TWO compositional techniques used at 2.3.

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Answer

The two compositional techniques used at 2.3 are:

Diminution: This technique involves breaking down a longer note into shorter, faster notes, adding embellishment to the melody.
Sequence: A sequence is a repetition of a musical idea or motif at a different pitch level, creating continuity and progression.

Step 4

What is the main key of this extract?

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Answer

The main key of this extract is G major. This key is established through the tonal center and the harmonic structure present in the piece.

Step 5

Which symbol could have been used to replace the small printed notes at 2.5?

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Answer

The symbol that could have been used to replace the small printed notes at 2.5 is the 'tr' or trill symbol, indicating a rapid alternation between two adjacent notes.

Step 6

Would you say that this extract is the concluding section of the Sonatina's first movement or not? Give TWO reasons to motivate your answer.

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Answer

This extract is not the concluding section. Two reasons are:

There is no modulation or change of key to a relative key, which typically signals a conclusion.
The extract ends with a perfect cadence (V-I), but it does not provide a final double bar line indicating the end of the movement.

Step 7

Identify the triad played by the left hand at 2.7, i.e. minor triad.

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Answer

The triad played by the left hand at 2.7 is a diminished triad, characterized by a root note, a minor third, and a diminished fifth.

Listen to the extract from the first movement of Sonatina by F - NSC Music - Question 2 - 2017 - Paper 2

Worked Solution & Example Answer:Listen to the extract from the first movement of Sonatina by F - NSC Music - Question 2 - 2017 - Paper 2

Identify the non-harmonic note at 2.1.

Fill in the missing notation at 2.2.

Identify TWO compositional techniques used at 2.3.

What is the main key of this extract?

Which symbol could have been used to replace the small printed notes at 2.5?

Would you say that this extract is the concluding section of the Sonatina's first movement or not? Give TWO reasons to motivate your answer.

Identify the triad played by the left hand at 2.7, i.e. minor triad.

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