5.1 Listen to the extracts and answer the questions that follow. Play Track 21 ONCE. 5.1.1 With which ONE of the following terms would you associate this extract? Make a cross (X) in the appropriate block. Marabi Mbaganga Jazz in exile 5.1.2 Write down the title of this work. 5.1.3 Name TWO artists associated with this extract. Play Track 22 TWICE. 5.1.4 A repetitive rhythmic drive is heard in this extract. Which instrument(s) heard in regard? Make a cross (X) in the appropriate block. Instrument(s) Track 22 Horn section, bass and piano Cymbals, bass and piano Piano only 5.2 Listen to the extracts and answer the questions that follow. Play Track 23 ONCE. 5.2.1 Identify the South African jazz style. 5.2.2 Give TWO reasons for your answer to QUESTION 5.2.1. 5.2.3 Name ONE artist associated with this extract. 5.2.4 Name the title of the work. 5.3 Listen to the extracts and answer the questions that follow. Play Track 24 ONCE. 5.3.1 Identify the South African jazz style. 5.3.2 Give TWO reasons for your answer to QUESTION 5.3.1. 5.3.3 Name the female vocalist associated with this extract. 5.3.4 Describe how the call-and-response technique is used in this extract. Play Track 26 ONCE. 5.3.5 With which of the following items do you associate this extract? Make a cross (X) in the appropriate block. Riff Electric organ Polyphonic

NSC Music Introduction to jazz: Historical timeline: 5.1 Listen to the extracts and a

5.1 Listen to the extracts and answer the questions that follow - NSC Music - Question 5 - 2016 - Paper 2

Question 5

5.1 Listen to the extracts and answer the questions that follow. Play Track 21 ONCE. 5.1.1 With which ONE of the following terms would you associate this extract? ... show full transcript

Worked Solution & Example Answer:5.1 Listen to the extracts and answer the questions that follow - NSC Music - Question 5 - 2016 - Paper 2

Step 1

5.1.1 With which ONE of the following terms would you associate this extract? Make a cross (X) in the appropriate block.

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Answer

The extract is associated with the term Jazz in exile. This style reflects the struggles and experiences of exile through its unique rhythmic elements and melodic structures.

Step 2

5.1.2 Write down the title of this work.

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The title of the work is Mra.

Step 3

5.1.3 Name TWO artists associated with this extract.

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The artists associated with this extract include:

Chris McGregor
Louis Moholo These artists are notable for their contributions to the South African jazz scene.

Step 4

5.1.4 A repetitive rhythmic drive is heard in this extract. Which instrument(s) heard in regard? Make a cross (X) in the appropriate block.

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The instrument heard in this context is Cymbals, bass and piano. This combination provides a textured rhythmic foundation.

Step 5

5.2.1 Identify the South African jazz style.

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The South African jazz style identified in this extract is Kwela.

Step 6

5.2.2 Give TWO reasons for your answer to QUESTION 5.2.1.

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Two reasons for identifying this style are:

The use of the penny whistle, which is a prominent melodic instrument in this style.
The characteristic township jive rhythm that drives the music forward.

Step 7

5.2.3 Name ONE artist associated with this extract.

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One artist associated with this extract is Elias Lerole.

Step 8

5.2.4 Name the title of the work.

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The title of the work is See You Later, Little Lemmy.

Step 9

5.3.1 Identify the South African jazz style.

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The South African jazz style identified in this extract is Mbaganga.

Step 10

5.3.2 Give TWO reasons for your answer to QUESTION 5.3.1.

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Two reasons for the identification of Mbaganga are:

Continuous repetition of rhythmic material, which is essential to the style.
A mix of Western instrumentation with South African vocal traditions creates a unique sound.

Step 11

5.3.3 Name the female vocalist associated with this extract.

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Answer

The female vocalist associated with this extract is Miriam Makeba.

Step 12

5.3.4 Describe how the call-and-response technique is used in this extract.

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In this extract, the call-and-response technique is manifested as the lead singer initiates the vocal line (the call) and the backing vocalists follow with their responses, generating a dynamic interplay between the soloist and the ensemble.

Step 13

5.3.5 With which of the following items do you associate this extract? Make a cross (X) in the appropriate block.

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Answer

The extract is associated with Riff as it employs repetitive patterns that create a cohesive musical statement.

5.1 Listen to the extracts and answer the questions that follow - NSC Music - Question 5 - 2016 - Paper 2

Worked Solution & Example Answer:5.1 Listen to the extracts and answer the questions that follow - NSC Music - Question 5 - 2016 - Paper 2

5.1.1 With which ONE of the following terms would you associate this extract? Make a cross (X) in the appropriate block.

5.1.2 Write down the title of this work.

5.1.3 Name TWO artists associated with this extract.

5.1.4 A repetitive rhythmic drive is heard in this extract. Which instrument(s) heard in regard? Make a cross (X) in the appropriate block.

5.2.1 Identify the South African jazz style.

5.2.2 Give TWO reasons for your answer to QUESTION 5.2.1.

5.2.3 Name ONE artist associated with this extract.

5.2.4 Name the title of the work.

5.3.1 Identify the South African jazz style.

5.3.2 Give TWO reasons for your answer to QUESTION 5.3.1.

5.3.3 Name the female vocalist associated with this extract.

5.3.4 Describe how the call-and-response technique is used in this extract.

5.3.5 With which of the following items do you associate this extract? Make a cross (X) in the appropriate block.

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