POTSO YA 13: MOFUTA WA DIPOTSO TSE KGUTSWANE
SEYALEMOYA - RH Moeketsi
'Ha se boya ba ntja' - PM Ramathe
Bala qotso ena le latelang ha lokolo, e bo araba dipotso tse etlalelang - NSC Sesotho HL - Question 13 - 2016 - Paper 2
Question 13
POTSO YA 13: MOFUTA WA DIPOTSO TSE KGUTSWANE
SEYALEMOYA - RH Moeketsi
'Ha se boya ba ntja' - PM Ramathe
Bala qotso ena le latelang ha lokolo, e bo araba dipotso tse... show full transcript
Worked Solution & Example Answer:POTSO YA 13: MOFUTA WA DIPOTSO TSE KGUTSWANE
SEYALEMOYA - RH Moeketsi
'Ha se boya ba ntja' - PM Ramathe
Bala qotso ena le latelang ha lokolo, e bo araba dipotso tse etlalelang - NSC Sesotho HL - Question 13 - 2016 - Paper 2
Step 1
13.1 Ke Lesodi?
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Answer
Lesodi is introduced as a character in the narrative. He represents a point of view or a different perspective within the context of the discussion.
Step 2
13.2 Ba ne ba tsetse taba ya hore mora wa bona Lesodi o ne a tsetelaka bosiu?
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Answer
The discussion focuses on an event where Lesodi's family mentions that he was involved in an incident during the night. This sets a tone of concern within the family dynamics.
Step 3
13.3 Ke ya hantle. Pela e Maleshwane ba a qwaketseng/ha ba buisane hamoneng ka lebaka la ho tsamaya mosebetsi masiu ha Lesodi.
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Answer
In the dialogue, Pela and Maleshwane reflect on their feelings about Lesodi's actions during the night. They demonstrate empathy and concern.
Step 4
13.4 Tjhe, ho Kgasiane e ne e se dikelae tsa thabo; yena o ne a il hobane a swabisitswe ke taba ya hore se e inmeng ngwana eo e seng Lesodi enw ya kopang ho mo nyala.
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The characters discuss the implications of relationships and decisions made during the events described, highlighting the tension surrounding Kgasiane.
Step 5
13.5 Ke ya hore a dumelle Lesodi hore a nyale ka mora ho mosadi a buisane le yena.
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Lesodi's authority and roles within the relationships described are put in context of cultural expectations about marriage and consent.
Step 6
13.6 Maele ana a dumellana le diketsahalo hoba Maleshwane, mme wa Lesodi, ke yena ya mwe ho dumellana le Lesodi hore a re o se a batla ho nyala he mta e na se sa bata/O bonts'a kutlwisisong ha Lesodi a ntse a tsamaya le hara masiu hobane a re o se a hodile.
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Answer
The importance of communication and understanding in relationships is emphasized, with dialogue that suggests miscommunication between characters.
Step 7
13.7 Ke sebatabadi se tjiha; Hobane o a fetoletsa, ka dinako dingwe e ne e ntse a dumellana le Lesodi, empa ka nako ea neng a mmona a ne Kgasiane o e be a kgurama hampe ho gatellong ba le batho ba abong.
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The characters discuss the repercussions of their actions, particularly concerning Kgasiane’s relationship with Lesodi.
Step 8
13.8 Tab a bo Lesodi a reng bontatahe Lesodi ka etsetseng habe Kgasiane le leba ka yona e efe?
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This question ponders the familial expectations and responsibilities Lesodi faces, suggesting tension between personal desires and family obligations.
Step 9
13.9 Ebe Maleshwane o ile a sitisa Lesodi le Kgasiane ka tsela e jwang mohala Kgasiane e na le ho bolela Lesodi hore o imme?
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The response focuses on Maleshwane's interventions in the relationship between Lesodi and Kgasiane, illustrating the complex dynamics of outside influence.
Step 10
13.10 N o ka re ka kakaretso ditaba tsa tshwantshietso e se fo seotso sa makhetho a eo babadi? Tshehlesaka karabo ya hao.
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This reflects on the broader implications of interactions among characters, inviting a discussion on themes such as choice and consequence within the narrative.
