Photo AI
Compare FIGURE 3a and FIGURE 3b Refer to the following guidelines: - The placement/positioning and significance of the figure in EACH work - The purpose of the drapery, or the lack thereof, in FIGURE 3a and FIGURE 3b - The relevance of the title of EACH artwork - What social issues has the artist addressed in FIGURE 3a and FIGURE 3b? - Identify any object(s) that had been thrown away in FIGURE 3a and recycled in FIGURE 3b - NSC Visual Arts - Question 3 - 2018 - Paper 1
Question 3
Compare FIGURE 3a and FIGURE 3b Refer to the following guidelines: - The placement/positioning and significance of the figure in EACH work - The purpose of the dra... show full transcript
Worked Solution & Example Answer:Compare FIGURE 3a and FIGURE 3b Refer to the following guidelines: - The placement/positioning and significance of the figure in EACH work - The purpose of the drapery, or the lack thereof, in FIGURE 3a and FIGURE 3b - The relevance of the title of EACH artwork - What social issues has the artist addressed in FIGURE 3a and FIGURE 3b? - Identify any object(s) that had been thrown away in FIGURE 3a and recycled in FIGURE 3b - NSC Visual Arts - Question 3 - 2018 - Paper 1
Step 1
The placement/positioning and significance of the figure in EACH work
Answer
In FIGURE 3a, a mysterious female figure is positioned in the background, surrounded by a landscape filled with debris. She is shrouded in white fabric, resembling a classical Greek figure, which draws attention to her significant presence. The act of holding the drapery over her hands signifies her relationship with the discarded objects, reflecting the themes of power and identity. In contrast, FIGURE 3b features a large ghostly figure representing a jinn, placed in a surreal setting dominated by refuse. This positioning emphasizes the haunting nature of waste, revealing the interconnectedness of the figure with the junk that signifies societal neglect.
Step 2
The purpose of the drapery, or the lack thereof, in FIGURE 3a and FIGURE 3b
Answer
The drapery in FIGURE 3a serves as both a revealing and concealing element, cascading to the bottom and metaphorically highlighting the clutter below. It contrasts with the figure's authority. In FIGURE 3b, the lack of traditional drapery emphasizes the figure's rawness and connection to the debris, suggesting a direct engagement with the environmental issues presented.
Step 3
The relevance of the title of EACH artwork
Answer
The title of FIGURE 3a, 'Piling wreckage upon wreckage,' reflects on how society accumulates its discarded materials, highlighting the neglect of history and the environment. On the other hand, the title 'The prophecy' in FIGURE 3b implies a warning, suggesting that if people ignore their surroundings, future generations will face dire consequences.
Step 4
What social issues has the artist addressed in FIGURE 3a and FIGURE 3b?
Answer
Both artists address significant social issues relating to consumerism, environmental decay, and the consequences of neglecting societal responsibilities. Siopis comments on colonialism, gender, and how history is often misrepresented, while Monteiro highlights pollution and its detrimental effects, especially in Africa.
Step 5
Identify any object(s) that had been thrown away in FIGURE 3a and recycled in FIGURE 3b. Motivate your selection.
Answer
In FIGURE 3a, various items like plastic bags and food wrappers are evident, representing the waste discarded by society. In FIGURE 3b, similar forms of refuse, such as plastic objects, are transformed into a part of the jinn's attire, embodying a reclamation of what society discards. This recycling illustrates a potential for transformation and raises awareness of the importance of valuing our waste.