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Question 5
Consider the relationships among the artworks provided in FIGURES 5a, 5b and 5c. Use the following guidelines: - How did the bicycle become a bull's head in FIGURE... show full transcript
Step 1
Answer
In FIGURE 5a, Pablo Picasso transformed bicycle parts into a bull's head by creatively assembling the components to represent the features of a bull. The bicycle seat symbolizes the head, while the handlebars are depicted as horns. This method highlights how everyday objects can be repurposed to convey deeper meanings. The creative process encourages viewers to look beyond their typical functions, revealing new perspectives on interpretation.
Step 2
Answer
Duchamp's combination of a bicycle wheel and a stool in FIGURE 5b serves to juxtapose motion and stillness, which embodies key principles of the Dada movement. By positioning the bike wheel on a stationary stool, Duchamp challenges traditional art aesthetics and invites contemplation on the nature of art itself, questioning the boundaries and materials that define it.
Step 3
Answer
In FIGURE 5c, the use of rubber from tyre tubes shows transformation through recycling and creative redesign. The rubber forms intricate structures that depict human forms, creating a contrast between the organic essence and the industrial materials, which invites viewers to explore the texture and feel of the artwork. This tactile aspect reinforces the juxtaposition of human experience with the non-organic world.
Step 4
Answer
The title of FIGURE 5c plays a crucial role in conveying the thematic message of the artwork. It suggests a narrative around the figures, engaging the audience's attention regarding societal issues. By indicating that these figures are 'killed' and 'mummified' with rubber, it emphasizes the confinement of human creativity and conversations within the constraints of modern materials, prompting reflections on broader existential contexts.
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