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With reference to the above statement and visual source FIGURE 5a, write a paragraph (at least ½ page) in which you discuss the artwork considering the following: - The medium used - The message of the artwork Also with reference to the above statement analyse and discuss FIGURE 5b in essay format (at least ¾ page) - NSC Visual Arts - Question 5 - 2017 - Paper 1
Question 5
With reference to the above statement and visual source FIGURE 5a, write a paragraph (at least ½ page) in which you discuss the artwork considering the following: -... show full transcript
Worked Solution & Example Answer:With reference to the above statement and visual source FIGURE 5a, write a paragraph (at least ½ page) in which you discuss the artwork considering the following: - The medium used - The message of the artwork Also with reference to the above statement analyse and discuss FIGURE 5b in essay format (at least ¾ page) - NSC Visual Arts - Question 5 - 2017 - Paper 1
Step 1
5.1 With reference to the above statement and visual source FIGURE 5a, write a paragraph (at least ½ page) in which you discuss the artwork considering the following: The medium used, The message of the artwork
Answer
FIGURE 5a was created using a combination of materials including glass, painted steel, silicone, monofilament, shark, and formaldehyde solution. The focal point of the artwork is the shark, which is preserved in a tank, suggesting a complex relationship between art and the concept of life and death. Damien Hirst intended to create an illusion that sparks discourse regarding mortality and the preservation of life through art.
The message of the artwork goes beyond its striking visual appearance. It evokes a duality; the display of a dead shark in such a sterile museum environment compels viewers to confront themes of death and the fragility of existence. The juxtaposition prompts deeper questions about the nature of life, leading the audience to philosophically ponder: what happens after death? Is this shark a metaphor for the viewer's own mortality?
Step 2
5.2 Also with reference to the above statement analyse and discuss FIGURE 5b in essay format (at least ¾ page). Consider the following: Application of art elements and principles, Mediums relevant to the concept, Meaning or message
Answer
FIGURE 5b represents a sculpture by Damien Hirst created in 2007, entitled 'For the Love of God'. This piece consists of a human skull encrusted with diamonds, a striking visualization that melds luxury with the macabre. The elements of art are applied through the use of texture, color, and form. The diamonds’ reflection contrasts with the smooth surface of the skull, making the viewer both attracted and repulsed.
The medium of diamonds elevates the skull from an everyday object to one of utmost importance, transforming perspectives on death and decay. This juxtaposition serves as a commentary on consumerism and mortality, suggesting that wealth and status cannot escape the inevitability of death.
The deeper meaning communicated through this piece revolves around the concept of impermanence. The skull not only represents the finality of life, but it also proclaims the wealth's futility in the face of death, prompting a reflection on what truly endures.
Step 3
5.3 For this question, you may not use a work which appears in this question paper. However, you may use a different work by one of the artists used in this paper. In essay format, of at least ONE page, recall, discuss and compare at least TWO works in multimedia which you have studied, substantiating each of the following: Name the work(s) as well as the artist, Media, Messages and/or meanings, Influenced by which style of art, Presentation
Answer
In examining the works 'The Physical Impossibility of Death in the Mind of Someone Living' by Damien Hirst and 'The Dinner Party' by Judy Chicago, we see distinct approaches to meaning and media. Hirst's work employs taxidermy and formaldehyde, directly confronting the viewer with death, while Chicago utilizes ceramics and textiles to celebrate female history and narratives.
Both artworks convey powerful messages; Hirst emphasizes mortality's haunting presence, while Chicago aims to reclaim women's history in art. Hirst’s work is often situated within the postmodern context focusing on shock value; conversely, Chicago’s is rooted in feminist art, advocating for recognition and empowerment.
The presentation also varies significantly. Hirst places his work in a sterile museum environment, reinforcing his themes of death and art’s clinical nature; Chicago's is immersive, inviting participation and interaction within her triangular table setting, promoting a sense of community and shared history in women’s narratives.