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During the 1980s, heavy armoured vehicles of the South African security forces were often present in many township areas - NSC Visual Arts - Question 3 - 2021 - Paper 1
Question 3
During the 1980s, heavy armoured vehicles of the South African security forces were often present in many township areas. Paul Sibisi records his experiences in the ... show full transcript
Worked Solution & Example Answer:During the 1980s, heavy armoured vehicles of the South African security forces were often present in many township areas - NSC Visual Arts - Question 3 - 2021 - Paper 1
Step 1
Emotional colour
Answer
In FIGURE 3a, the predominant use of red signifies bloodshed and evokes emotions of violence and despair related to the societal unrest in South Africa during that period. This intense color choice creates a sense of urgency and tragedy. Conversely, FIGURE 3b employs black to symbolize death and despair, but also incorporates bright yellow, which contrasts starkly and evokes tension. Both color palettes serve to communicate the severity of the circumstances depicted.
Step 2
Comment on the figures in both artworks
Answer
FIGURE 3a portrays two dead figures lying on the ground, suggesting victims of violence. They are passive and do not confront their situation directly, highlighting the helplessness felt by many. In contrast, FIGURE 3b shows figures actively engaged, throwing stones at soldiers, demonstrating resistance and confrontation. This active engagement contrasts with the passive representation in FIGURE 3a, showing different responses to oppression.
Step 3
Relevance of titles
Answer
The title of FIGURE 3a, 'Stop it now,' emphasizes urgency and a desperate plea for action amidst turmoil. The repetition in the title evokes a strong emotional response, reinforcing the need for immediate change. FIGURE 3b’s title indicates the specific location of the incident, grounding the viewer in a particular moment of resistance and emphasizing the fight against oppression.
Step 4
The use of line and the effectiveness thereof
Answer
In FIGURE 3a, various lines create a chaotic atmosphere, with vertical lines contributing to a sense of confinement. The scribbled, thick lines intensify feelings of desperation and disorder. On the other hand, FIGURE 3b uses dynamic, diagonal lines that suggest movement and action, effectively capturing the tumult of the scene. This contrast between static and dynamic line work enhances the thematic narratives of each artwork.
Step 5
Discussion of how subject matter and composition has been arranged
Answer
The composition of FIGURE 3a is centered around the lifeless bodies, drawing immediate attention to the tragedy. The placement of bystanders further illustrates community impact and helplessness. In contrast, FIGURE 3b arranges figures in action on an army vehicle, indicating resistance and power dynamics between civilians and soldiers. This active composition contrasts the passive arrangement of FIGURE 3a.
Step 6
Influence(s)
Answer
Both artists draw from the socio-political climate of 1980s South Africa, where the struggle against apartheid influenced their artistic narratives. Political unrest and community experiences are central to their work, stemming from a shared cultural and historical heritage of conflict.
Step 7
Media and technique
Answer
FIGURE 3a employs bold colors and mixed media to enhance emotional impact, while FIGURE 3b uses more traditional methods with layered textures that deepen the interaction between figures and background. Both employ effective techniques that enhance their messages.
Step 8
The intention of the artist. What is/he/she/they trying to communicate?
Answer
The artists aim to communicate the urgency of resistance and the stark realities of oppression. In FIGURE 3a, the message is a desperate call to stop violence and injustice. FIGURE 3b expresses a more active form of protest, illustrating a community ready to confront their oppressors. Both works seek to inspire awareness and encourage action.